Harold Bennett
Clients and collaborators include
Pentagram, Mother Design, Dinamo, Regular Practice, It’s Nice That, Pangram Pangram, OMI, Alex Hunting Studio, Anyways, The Brand Identity, DesignStudio, OlssonBarbieri, Creative Boom, NaN, Paul Smith, TYPE01 , Studio Oker, Grilli Type, NaN, Vanderbrand, Pizza Express, Lucky Dip, Studio Bergini
and moreand more!
🪚Design📚
PP32
Book, Pangram Pangram, 268 pages, 140mm x 212mmDesigned at Studio Ground Floor with Emma Judd. 450 chunky, hardback, lay-flat, cloth-bound pages of Pangram Pangram goodness! Cataloguing all 32 of the Montreal-based type foundry’s fonts to date, PP32 details all the aesthetics, stats, and styles of each typeface from their extensive collection. 🔆
Available here
The Interviews: Volume Two
Book, The Brand Identity, 636 pages, 107mm x 180mmDesigned at Studio Ground Floor The Interviews: Volume One’s the chonkier, greener sequel 🐛 The new volume consists of 636 pages of interviews with the world’s best designers, studios and type foundries.
Nearly double the page count of Volume One, it contains 62 timeless conversations conducted at @thebrandidentity between 2019–2021; discussing projects, process and practice. It also includes brand-new reflections detailing how each creative has evolved between then and now 🐢
The Interviews: Volume Two has been designed to resemble the construction of a classic autobiography; with a glossy image section sandwiched between text-only pages. In line with its archival nature, the green PVC cover protects the pages of the book, helping to keep the conversations — once online, now tangible — safe from deterioration 🦎
Available here
Bittersweet
Book, in collaboration with George Creese, 36 pages, 210mm x 297mm (A4)𝓑𝓲𝓽𝓽𝓮𝓻𝓼𝔀𝓮𝓮𝓽 is the physical output of three MFA Curating student’s project investigating and responding to the archive of the iconic Cubitt Gallery 🤝🌹
We designed the publication to separate the archive and the artist responses onto different paper stock, distinct but nestled into each other. The design language was informed by the spontaneous and ‘default’ nature of the archive, its email snippets, candid photography and loose collage🦎
The Process Five
Book, The Brand Identity, 344 pages, 125mm x 176mmThe Process Five is an exclusive showcase of unused and unseen branding work from ten world-leading graphic design studios, highlighting the ideas, concepts, mockups and sketches that led to their final outcomes. ⚒️
Coming in at 344 pages, it is the chunkiest and most comprehensive book in the series yet with 571 process works included. 🦺 It features never seen before insights and inspiration from projects by Pentagram, Play, Hugmun, Carla Palette, Resn, Studio Blackburn, Rabbithole, TRiC, Justified Studio and U.I.WD. for clients like OpenAI, Channel 4 and Getty. 💅
Available here
Pilot #2
Magazine, 257mm x 364mm, book block bound by industrial staples.Designed at Studio Ground Floor Big and designed to be ripped apart, Pilot #2 invites its reader to get weird. Working with Pilot’s founder Dagny Tepper, we introduced a brand-spanking-new identity and publication design for PILOT Magazine, collaborating with ABC Dinamo for a bespoke cut of their typeface ABC Social Pilot. 🔨
Available here
Pilot #4
Magazine, 185mm x 260mm, riso-printed, screen-printed and digitally-printed.Designed at Studio Ground Floor
Available here
The Process Four
Book, The Brand Identity, 268 pages, 125mm x 176mmAvailable here
Baseline #3
60 pages, 177mm x 297mmPickles Knitwear
Identity, Handmade in London.Personal Effects
T-Shirt and poem.Designed at Studio Lowrie
Shape of Words
Book, self-published, 294 pages, 110mm x 150mmDesigned at Studio Ground Floor with Emma Judd.
Edited by the wonderful Open Practice 🌞
Available here
Rapha x Tour de France
Poster, 594 x 841 mm, Screen-printed on Colorplan.Designed at Studio Lowrie
We chose to celebrate a 20th Century underdog, cyclist Charles Pélissier, who finished second place at the Tour De France...7 times, and in 1930 he set a record which he still holds to this day; winning 8 of the stages during the single tour.
The Interviews: Volume One
Book, The Brand Identity, 344 pages, 107mm x 180mmDesigned at Studio Ground Floor
Featuring interviews from 2015-2018 with COLLINS, DesignStudio, Vrints-Kolsteren, DIA, Fuzzco, Spin, PORTO ROCHA and many more, the book also includes four new interviews with Actual Source, SocioDesign, StudioSmall and Soft Power.
In line with its archival nature, it is wrapped in a removable transparent PVC jacket in an attempt to further the lifespan of the book as well as the interviews found within. 🏏
Available here
Typeone Magazine
Magazine, The Brand Identity, 136 pages per issue, 220mm x 297mmDesigned at Studio Ground Floor
***Full archive of every TYPEONE issue incoming. If you’re interested in seeing the whole catalogue, reach out and I can drop them by! 📮***
Exale Brewery
Brand identity, illustrations by Inga ZiemeleME Print
Brand identity, designed at Studio LowrieChalet Girl is a typefaCe designed bY HaRrY ‘BenNetT & engineered by Jack Niblett.
Chalet Girl
Typeface, Font Engineering by Jack NiblettChalet Girl is featured in New Aesthetic 3, if you’re interested in seening more!
Ghazal
Visual identity and monogram, designed at Studio LowrieCuozzo Flemming
Brand identity, designed at Delivered By PostPlanet Underdog
Brand identity, designed at Studio Lowrie@harold__bennett
hb@haroldbennett.co.uk